Ayo Solanke: The Teen Drama Disruptor Who Redefined Chaos in Netflixs ‘Bet’
And his filmography reads like an actor deliberately swerving past the typecasting conveyor belt. From indie horror bloodbaths to militarized shootouts and a moody short film with a philosophical backbone, Ayo Solanke’s upcoming movies and recent releases prove he’s not here to be cute on camera—he’s here to test his ceiling. This chapter dissects three key projects that show exactly how far that ceiling might go.
Post-Bet, Solanke could’ve easily surfed the Netflix wave into another teen thriller or franchise cash-in. Instead, Ayo Solanke’s upcoming movies are deliberately varied. There’s rumored involvement in a surrealist British drama, a miniseries based on a dystopian short story collection, and a recurring character in a genre-defying Canadian series currently under wraps. He’s not jumping between roles—he’s maneuvering them. And that’s a very different kind of career strategy.
Both those seasons are streaming exclusively on Netflix as of right now. This actually marks the second time the material has been adapted into a live-action series, with a Japanese series (also streaming on Netflix) released in 2019, starring Minami Hamabe, Mahiro Takasugi, and Aoi Morikawa. There are actors who say they’re “into music” and mean they have a Spotify playlist with a dramatic title.
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But gambling is the very reason why Yumeko is there; in fact, right after she meets her new roommate, she bets her $10,000 that she’ll willingly switch beds by the end of the day. If you were searching for the owner of Bet9ja, we hope that your question has been answered by reading this post. And if you enjoyed it, consider sharing this post with your friends on social media with the share buttons below. This betting company is currently managed in Nigeria by KC Gaming Networks Limited and run by some other shareholders of different nationalities.
Yumeko Kawamoto, portrayed by Miku Martineau, is a transfer student who shakes up the established order as she takes on the student council in high-stakes gambles. Gambling is a way of life at St. Dominic’s, and the Student Council are the top winners at the school, led by council president Kira (Clara Alexandrova). They make the rules of the games played. The students gamble with the stipends their parents give them; anyone who falls into the red, “below the line” becomes a “housepet” to the person they owe money to. Let’s start with the absurdly titled Clown in a Cornfield.
An Excellent Acting Line-up for the Characters
St. Dominic’s is one of those weird made-for-TV schools where nobody seems to do any work, there are no teachers in sight, and the whole place is divided into themed cliques with eccentric gimmicks. The costuming and social structure are a little reminiscent of Elite, but that’s as far as the comparison goes. Netflix’s new hit series BET, a live-action adaptation inspired by the manga Kakegurui, has taken audiences by storm — and one of the standout characters is Ryan, portrayed by rising star Ayo Solanke.
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Everything evolves fairly naturally, and by the time the finale rolls around, you’re more invested in the interpersonal relationships than the gimmicks, which feels just about right. But the human drama mostly works, largely thanks to the cast being so up for it. It’s a show that takes some fairly big swings and not all of it works, but I mostly loved it and I suspect most people who aren’t worried about the accuracy ayobet login of the costumes will too.
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- How to translate that into a live-action series that doesn’t feel cartoonish is tough.
- He’s been open about how those early ensemble shows—where mics cut out and spotlights misfire—taught him how to listen for timing.
- This actually marks the second time the material has been adapted into a live-action series, with a Japanese series (also streaming on Netflix) released in 2019, starring Minami Hamabe, Mahiro Takasugi, and Aoi Morikawa.
- Clara Alexandrova stars as the fierce student council president, Kira Timurov.
Racing & Games
The original Kakegurui manga made its debut in 2014, with an anime adaptation lasting two seasons following in 2017 from Studio MAPPA. Known for its arresting visuals and high stakes drama, it was a hit both domestically and abroad. A Japanese live action series aired in Japan in 2018, with film adaptations (with the same cast) arriving in 2019 and 2021. At the heart of the story lies Yumeko Jabami, a compulsive gambler who dismantles the social order of Hyakkaou Private Academy, a school where students remain ranked according to their gambling prowess. The manga is famous worldwide due to its intense characters and unpredictable plot twists, thus being ripe for live-action adaptation. Comic book adaptations into live-action television are always tricky, but manga adaptations — especially ones done outside of South Asia — are even trickier.
Interestingly, Ayo didn’t even know what he was auditioning for at first. Like many of his castmates, his audition script used a placeholder name — “Harry” instead of Ryan — to conceal the true identity of the project.
He’s just a believable teenager who happens to be stuck in a death maze with a psychotic clown—and who doesn’t miraculously develop plot armor halfway through. There’s a danger in treating manga tropes with reverence—they become parodies without punch. Solanke sidesteps that trap by playing Ryan with dissonance. In a school where everyone is high-gloss insanity, he walks like he’s just trying to get to math class without being decapitated. It’s not that he’s unaware of the drama; he’s just exhausted by it.
- But gambling is the very reason why Yumeko is there; in fact, right after she meets her new roommate, she bets her $10,000 that she’ll willingly switch beds by the end of the day.
- He’s not jumping between roles—he’s maneuvering them.
- Solanke discusses how he pushed for less exposition and more ambiguity—fewer speeches, more loaded glances.
- But, as we see in flashbacks to her childhood in Japan, winning money isn’t the only reason why she’s at St. Dominic’s; she wants revenge.
- No, what annoys us about Bet is that it’s so busy being stylish that it forgets about the fact that there is a story that needs to be told.
- He’s said in interviews that their dynamic was “built off eye contact more than script cues,” and that tracks.
The Man Behind the Roles: Personal Insights into Solanke’s Life
On Ayo Solanke’s Twitter, things get even less polished—and better for it. He occasionally posts character notes, often shares observations about scripts he’s reading, and rarely misses the chance to poke fun at his own industry. His tweets rarely break the internet, which is precisely the point. In an era where actors outsource their personality to PR firms, Ayo Solanke’s social media engagement with fans is refreshingly DIY. Ayo Solanke could’ve easily coasted on the buzz from Bet. But Solanke isn’t playing for comfort—he’s playing for range.
Social Media Presence: Connecting with Fans
Netflix’s newest teen drama, Bet, has entered the Top 10 charts in 32 countries in just one week. The show offers a live-action look at the Japanese manga Kakegurui, which exposes a world of high-stakes gambling and power dynamics. Let’s have a look at what this live adaptation brings to the table and how well it has adapted elements from the original manga. No, what annoys us about Bet is that it’s so busy being stylish that it forgets about the fact that there is a story that needs to be told.
Final Thoughts: Power, Revenge, and Resonance
- It’s a show that takes some fairly big swings and not all of it works, but I mostly loved it and I suspect most people who aren’t worried about the accuracy of the costumes will too.
- It’s not that he’s unaware of the drama; he’s just exhausted by it.
- They zigzag between prestige and pop, art-house and streaming spectacle.
- Solanke’s Ryan Adebayo isn’t the hero Netflix usually casts, and that’s precisely the point.
- His acting wasn’t “inspired” by his roots so much as complicated by them.
Bet is representative of Netflix’s attempt to bring adaptations of manga to a global audience. While the series does provide drama with high stakes and excitement in visuals, it also delves deep into the problems of cultural adaptation. The reception of the show has shown that when it comes to adaptations, the balance between creative reinterpretation and respecting the culture of the original material becomes very important.
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It was here that Ayo Solanke’s transition from theatre to screen acting began, and not in the way most expect. Jonathon is one of the co-founders of Ready Steady Cut and has been an instrumental part of the team since its inception in 2017, with the leading role as Senior Editor. Jonathon has remained involved in all aspects of the site’s operation, mainly dedicated to its content output, remaining one of its primary Entertainment writers while also functioning as our dedicated Commissioning Editor.
Bet might be developing into something more compelling than a simple live adaptation. This would allow it to stand on its own for new viewers as well as longtime Kakegurui fans. As the owner of the biggest betting company in Nigeria, Kunle is no doubt one of the most influential people in the Nigerian sports industry today. However, the current CEO of Bet9ja betting company is Mr. Ayao Ojuroye and he’s different from the owner who is Kunle. Now to the main question – who is the owner of bet9ja?
Now pivot to Tales from the Hood 3, which lands somewhere between anthology experimentation and straight-up genre pastiche. Solanke leans into the unsettling tone here, not with overacting but with a kind of quiet dread. Ayo Solanke’s horror movie roles are rarely written to win awards, but he uses that freedom to inject a kind of specificity that’s usually lost in scream-heavy screen time. It’s not the gore that makes them effective—it’s his unwillingness to act like he’s in a horror movie at all. As a pure high-school drama Bet probably wouldn’t work that well, but the gambling games add a lot of surprising tension and excitement because they’re clearly designed as narrative devices.
We understand that every individual has unique needs and desires, which is why we approach each person with the utmost care and professionalism. A web platform dedicated to aesthetic surgery, dermatology, and beauty, where expertise meets innovation, and your desires and needs become our mission. In a world where appearance and health go hand in hand, our platform leads the revolution, delivering the latest trends, research, and expert advice directly to you. This website cannot be displayed as your browser is extremely out of date. Ryan begins the series as a believer in the school’s ruthless hierarchy, but that loyalty fades fast — especially when he finds himself aligning with Yumiko. While Ryan is inspired by Ryota Suzui from the Kakegurui manga, Ayo made a conscious effort to build a version of the character that stood on its own.
Ayo Solanke Talks Playing Ryan in Netflix’s BET, Fan Reactions & What’s Next
- Bet has performed well in terms of ratings since its inception.
- Interestingly, Ayo didn’t even know what he was auditioning for at first.
- Logically, this means that several students are in considerable debt and forced to become “house pets” – in other words, slaves to the wealthier students.
- He posts like someone who doesn’t need validation, which—ironically—makes him more worth following.
- The writers obliged, letting the actor shape the emotional rhythm of scenes that could’ve easily been swallowed by stylized excess.
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Ayo Solanke stops by to chat about his breakout role as Ryan in the hit Netflix series BET. Ayo shares how his life has changed since the show hit the global Top 10, what it was like stepping into a complex character, and how fans have connected with Ryan’s emotional journey. While undeniably successful in attracting attention, the adaptation has received criticism from purists in the manga audience. Some feel that by diverting from the source material, especially with character building and cultural nuances, the adaptation has never stood the rightful claim of being a legitimate one. For those not in the know, Kakegurui (賭ケグルイ, Kakegurui –Compulsive Gambler–) is a Japanese manga series that began its run in Square Enix’s Gangan Joker magazine in March 2014. It was later adapted in 2017 by the legendary studio MAPPA with a follow-up series arriving two years later.
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With a proven track record as a trusted advisor, we have played a pivotal role in groundbreaking transactions and resolved complex legal questions, shaping Uganda’s legal landscape. Solanke points to the final episodes, especially the scenes where Ryan defends Yumiko or squares off with Hunter Cardinal’s character Michael, as some of his favorite to shoot. The Netflix adaptation will comprise 10 episodes written by Simon Barry (Warrior Nun) and executive produced by Barry, Jeff F. King, David Fortier, Ivan Schneeberg, Jon Rutherford and Nick Nantell. According to Hollywood Reporter, Netflix have announced the cast for their upcoming Kakegurui remake titled BET. Set within the grounds of an elite academy where social status is determined by underground gambling. The streaming platform’s recommendation algorithm must have played a large part in driving organic viewership to the series, indicating a fairly strong connection with teens and young adults.
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He enrolled in youth acting intensives—not the kind where everyone hugs it out, but the kind where you’re told your cold-read was “technically fine” and “emotionally vacant.” It was brutal. The switch from stage to screen didn’t feel like an upgrade—it felt like being thrown into a new sport with different rules. Subtlety wasn’t a footnote—it was the whole page. The ensemble cast of Bet reads like an anime convention after three Red Bulls, but Solanke’s chemistry with Miku Martineau’s Yumeko is grounded, tense, and human. He’s said in interviews that their dynamic was “built off eye contact more than script cues,” and that tracks.
Having said all this the character drama is still very much present. These are fairly outlandish ideas to transplant into the more relatable real-world setting that the live-action treatment creates, which is probably the show’s biggest problem. This is because most of Bet’s high-school social dynamics are filtered through the extremely exaggerated lens of high-stakes gambling games and anime-esque stylistic flourishes. Logically, this means that several students are in considerable debt and forced to become “house pets” – in other words, slaves to the wealthier students. Set in St. Dominic’s Boarding School for Girls, where gambling dictates the social hierarchy.
You feel the tension—not the romantic kind, thankfully, but the kind where two people recognize each other’s damage and make a silent pact not to flinch. Solanke’s Ryan Adebayo isn’t the hero Netflix usually casts, and that’s precisely the point. He’s not the swaggering alpha or the tormented antihero. A student at St. Dominic’s who gambled and lost, Ryan’s role is defined by subjugation. And yet, Solanke gives him spine, nuance, and just enough moral discomfort to keep things interesting. The premise revolves around Yumeko Jabami (Miku Martineau, Kate), an enigmatic transfer student who arrives at St. Dominic’s Prep with a mind to take down its dominant and corrupt Student Council as revenge for her parents’ murder.
Anticipated Return: Bet Season 2
The Canada chapter didn’t launch Solanke. There’s no mythology to mine here—just a kid who moved countries, swapped accents, absorbed cultures, and didn’t flinch. There’s something quietly radical about that. Just sharp, self-aware evolution—scene by scene. Our team consists of highly skilled professionals in the fields of aesthetic surgery and dermatology, committed to providing reliable information and guidance that will help you make informed choices about your appearance and well-being.
Ayo Solanke’s Directorial Debut: “The Island” Short Film
- Since its initial serialization in 2014, Kakegurui immediately became quite popular because of its unique juxtaposition of psychology-thriller-gambling themes.
- And, hopefully, more scenes where Ryan doesn’t just react but reshapes the game.
- Ayo shares how his life has changed since the show hit the global Top 10, what it was like stepping into a complex character, and how fans have connected with Ryan’s emotional journey.
- And if you enjoyed it, consider sharing this post with your friends on social media with the share buttons below.
- This chapter dissects how Ayo Solanke turned a supporting role into a slow-burn scene-stealer, all while the roulette wheel of Bet keeps spinning.
- Even clarifies context on misquoted interviews.
Solanke’s performance in Clown in a Cornfield isn’t about reinventing the slasher wheel—it’s about knowing exactly when to subvert and when to commit. As the character Tucker, Solanke dodges the usual disposable trope status by refusing to play it safe or self-aware. He’s not the comedic relief, the tragic martyr, or the guy with secret trauma.
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- Ayo Solanke stops by to chat about his breakout role as Ryan in the hit Netflix series BET.
- There’s rumored involvement in a surrealist British drama, a miniseries based on a dystopian short story collection, and a recurring character in a genre-defying Canadian series currently under wraps.
- Having said all this the character drama is still very much present.
- In an era where actors outsource their personality to PR firms, Ayo Solanke’s social media engagement with fans is refreshingly DIY.
I recently caught up with Ayo for Pop Culture Unplugged, where we talked about the show’s global success, stepping into a beloved fandom, and why Ryan’s evolution is resonating with viewers around the world. Last year, Netflix quietly revealed that it was diving into the anime and manga world of Kakegurui – Compulsive Gambler with a live-action adaptation that’d be helmed by the same showrunner as Netflix’s ill-fated Warrior Nun. The streamer has now confirmed that the new series will stream on May 15th globally and revealed four first looks. Yumeko immediately challenges Mary to a match; the game chosen is “Skirmish,” where each player plays one of their seven cards, and the high card in that round wins.
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