It’s easy to see why Netflix found the series ripe for adaptation, especially as it carried the anime and could see first hand how popular it is. With a premise that’s easy to translate, whether it can capture the spirit and style of the original remains to be seen. Hopefully they’ll embrace the series in the same way Netflix adapted One Piece and not their bland version of Death Note.

Social Media Presence: Connecting with Fans

The characters in manga stories are designed to be over-the-top and at times are more known for their quirkiness than any kind of depth of character. How to translate that into a live-action series that doesn’t feel cartoonish is tough. A good example is Bet, an adaptation of a manga about a high schooler who is a compulsive gambler going to a prep school full of people wagering their parents’ money. The ensemble cast is diverse, featuring Ayo Solanke as Ryan Adebayo and Eve Edwards as Mary Davis. Clara Alexandrova stars as the fierce student council president, Kira Timurov. Each character conveys depth in the storyline, reflecting complex social structures in the school.

‘BET’ Season 2: Netflix Renewal Confirmed & Everything We Know So Far

On Ayo Solanke’s Twitter, things get even less polished—and better for it. He occasionally posts character notes, often shares observations about scripts he’s reading, and rarely misses the chance to poke fun at his own industry. His tweets rarely break the internet, which is precisely the point. In an era where actors outsource their personality to PR firms, Ayo Solanke’s social media engagement with fans is refreshingly DIY. Ayo Solanke could’ve easily coasted on the buzz from Bet. But Solanke isn’t playing for comfort—he’s playing for range.

• How to translate that into a live-action series that doesn’t feel cartoonish is tough.
• Jonathon is one of the co-founders of Ready Steady Cut and has been an instrumental part of the team since its inception in 2017, with the leading role as Senior Editor.
• The show offers a live-action look at the Japanese manga Kakegurui, which exposes a world of high-stakes gambling and power dynamics.
• Yumeko Kawamoto, portrayed by Miku Martineau, is a transfer student who shakes up the established order as she takes on the student council in high-stakes gambles.
• Then this post is meant for you as it contains the complete details of the owner of bet9ja, his net worth, houses, cars, and investments.
• At 13, the Solankes moved again—this time to Canada, the land of maple syrup, healthcare, and the kind of arts programs that actually fund school theatre productions.
• There’s something quietly radical about that.

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He’s just a believable teenager who happens to be stuck in a death maze with a psychotic clown—and who doesn’t miraculously develop plot armor halfway through. There’s a danger in treating manga tropes with reverence—they become parodies without punch. Solanke sidesteps that trap by playing Ryan with dissonance. In a school where everyone is high-gloss insanity, he walks like he’s just trying to get to math class without being decapitated. ayobet login It’s not that he’s unaware of the drama; he’s just exhausted by it.

Miku Martineau como Yumeko

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• Bet9ja like other betting companies in Nigeria is an online company that gives sports lovers in Nigeria the opportunity to place bets on various games and stand a chance to win cash if the bet is successful.
• And Ayo Solanke’s role in A24’s Altar seems positioned to pivot him from emerging talent to serious contender—without the usual award-season desperation.
• Like many of his castmates, his audition script used a placeholder name — “Harry” instead of Ryan — to conceal the true identity of the project.
• From an upcoming role in an A24 psychological thriller to the high-stakes return of Bet, Ayo Solanke’s future projects don’t follow a straight trajectory.
• Each character conveys depth in the storyline, reflecting complex social structures in the school.
• In a school where everyone is high-gloss insanity, he walks like he’s just trying to get to math class without being decapitated.

Post-Bet, Solanke could’ve easily surfed the Netflix wave into another teen thriller or franchise cash-in. Instead, Ayo Solanke’s upcoming movies are deliberately varied. There’s rumored involvement in a surrealist British drama, a miniseries based on a dystopian short story collection, and a recurring character in a genre-defying Canadian series currently under wraps. He’s not jumping between roles—he’s maneuvering them. And that’s a very different kind of career strategy.

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Solanke’s performance in Clown in a Cornfield isn’t about reinventing the slasher wheel—it’s about knowing exactly when to subvert and when to commit. As the character Tucker, Solanke dodges the usual disposable trope status by refusing to play it safe or self-aware. He’s not the comedic relief, the tragic martyr, or the guy with secret trauma.

Ayo Solanke’s Directorial Debut: “The Island” Short Film

• We’ll be discussing the brief history of bet9ja’s owner(Kunle Soname), his current net worth, picture, state, and other details about this man below.
• And yet, Solanke gives him spine, nuance, and just enough moral discomfort to keep things interesting.
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• While Ryan is inspired by Ryota Suzui from the Kakegurui manga, Ayo made a conscious effort to build a version of the character that stood on its own.
• Bet might be developing into something more compelling than a simple live adaptation.
• The ensemble cast is diverse, featuring Ayo Solanke as Ryan Adebayo and Eve Edwards as Mary Davis.
• Bet is representative of Netflix’s attempt to bring adaptations of manga to a global audience.

He enrolled in youth acting intensives—not the kind where everyone hugs it out, but the kind where you’re told your cold-read was “technically fine” and “emotionally vacant.” It was brutal. The switch from stage to screen didn’t feel like an upgrade—it felt like being thrown into a new sport with different rules. Subtlety wasn’t a footnote—it was the whole page. The ensemble cast of Bet reads like an anime convention after three Red Bulls, but Solanke’s chemistry with Miku Martineau’s Yumeko is grounded, tense, and human. He’s said in interviews that their dynamic was “built off eye contact more than script cues,” and that tracks.

Inside the World of BET: Ayo Solanke on Playing Ryan, Loyalty, and Finding His Voice

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If the first episode is any indication, episodes will consist of one face-off after another, characters giving sneering and sniveling speeches, and lots of expositional dialogue of the type that weighed down the first episode. It’s easy to categorize actors-turned-directors as restless or ambitious. In Solanke’s case, it reads more like necessity. When the roles aren’t giving you what you want, you make your own. Enter The Island—a short film that isn’t looking for mainstream applause, but one that makes its own weather in the indie space. If you’re looking for something to confirm or deny how much Simon Barry’s ten-part series adheres to the source material or butchers it beyond all repair, sorry – you’re not going to find it here.

Social Media Presence: Connecting with Fans

Bet is representative of Netflix’s attempt to bring adaptations of manga to a global audience. While the series does provide drama with high stakes and excitement in visuals, it also delves deep into the problems of cultural adaptation. The reception of the show has shown that when it comes to adaptations, the balance between creative reinterpretation and respecting the culture of the original material becomes very important.

• Yumeko Kawamoto, portrayed by Miku Martineau, is a transfer student who shakes up the established order as she takes on the student council in high-stakes gambles.
• Post-Bet, Solanke could’ve easily surfed the Netflix wave into another teen thriller or franchise cash-in.
• The film isn’t autobiographical, but it’s clearly personal—especially in how it toys with themes of isolation, duality, and the cyclical nature of choice.
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• Some feel that by diverting from the source material, especially with character building and cultural nuances, the adaptation has never stood the rightful claim of being a legitimate one.

The Unlikely Gambler: Solanke’s Breakout in Netflix’s Bet

It was here that Ayo Solanke’s transition from theatre to screen acting began, and not in the way most expect. Jonathon is one of the co-founders of Ready Steady Cut and has been an instrumental part of the team since its inception in 2017, with the leading role as Senior Editor. Jonathon has remained involved in all aspects of the site’s operation, mainly dedicated to its content output, remaining one of its primary Entertainment writers while also functioning as our dedicated Commissioning Editor.

I recently caught up with Ayo for Pop Culture Unplugged, where we talked about the show’s global success, stepping into a beloved fandom, and why Ryan’s evolution is resonating with viewers around the world. Last year, Netflix quietly revealed that it was diving into the anime and manga world of Kakegurui – Compulsive Gambler with a live-action adaptation that’d be helmed by the same showrunner as Netflix’s ill-fated Warrior Nun. The streamer has now confirmed that the new series will stream on May 15th globally and revealed four first looks. Yumeko immediately challenges Mary to a match; the game chosen is “Skirmish,” where each player plays one of their seven cards, and the high card in that round wins.

St. Dominic’s is one of those weird made-for-TV schools where nobody seems to do any work, there are no teachers in sight, and the whole place is divided into themed cliques with eccentric gimmicks. The costuming and social structure are a little reminiscent of Elite, but that’s as far as the comparison goes. Netflix’s new hit series BET, a live-action adaptation inspired by the manga Kakegurui, has taken audiences by storm — and one of the standout characters is Ryan, portrayed by rising star Ayo Solanke.

Yumeko notices that Mary is cheating, and only wants to play fair. But, as we see in flashbacks to her childhood in Japan, winning money isn’t the only reason why she’s at St. Dominic’s; she wants revenge. Unlike the curated grids of celebrities holding lattes or fake-laughing with influencers, Ayo Solanke’s Instagram feels like it was built by a human with taste and a sense of humor. Scroll far enough and you’ll find saxophone clips recorded in grainy rehearsal rooms, obscure film recommendations, and behind-the-scenes shots that aren’t drenched in filters. He posts like someone who doesn’t need validation, which—ironically—makes him more worth following. There’s no mysticism in Solanke’s Lagos Nigeria chapter—just ordinary life.

As a director and writer, he isn’t flexing genre tricks. Just a visual puzzle with enough thematic weight to demand more than one watch. Solanke’s dip into horror didn’t come with the glossy prestige of a Sundance darling or the PR sheen of a studio reboot. Instead, he picked roles that could’ve easily sunk under cliché—and decided to mess with them from the inside. At 13, the Solankes moved again—this time to Canada, the land of maple syrup, healthcare, and the kind of arts programs that actually fund school theatre productions.

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Has performed live, unrehearsed, and off-book. He’s not dabbling—he’s building something that could easily stand on its own. In Canada, Ayo Solanke’s education took a sharper turn.